Community Gardens Essay -- Personal Narrative Culture Papers

Community GardensAs I tire of the ongoing postulate between my umbrella and the wind, I look for a warm, sheltered recess to pause and pull myself together. All I see is a remiss parking lot. Frustrated, I step onto the concrete under the awning of a neighboring grammatical construction and fumble with the weathered wiring of my umbrella. Fighting the torrential rain isnt my idea of a nice afternoon as my venture to explore the picturesque EastVillage turns into hugging the side of a building to escape a storm, staring at black pavement marked and divided with white lines. As I muse over how graceless the aesthetics of a parking lot are, I notice a worn 8 by 11 sticker stuck to the wall of the building. The phrase Save Our Gardens frames a torn caricature of Mayor Rudolph Giuliani. I oppugn why someone would put up a poster in this parking lot because no one is likely to see it.The snap on the sticker stand out because they remove the first printed grade of the image. Someone who inhabited this blank space just as I pack has made a physical statement representing his or her response to the sticker. Was it the jeering picture of Giuliani that captured their attention and inspired their resistance? Was it the gardens? Or was it the location? Regardless, it is crystalize that the Save Our Gardens sticker has aroused controversy. I am reminded of Enactments of Power The political science of Performance Space, an essay by Ngugi Wa ThiongO that investigates the rich surfeit of a performance space in the context of post-colonial Kenya. He explains that the space is never empty (291). According to Ngugi, even a space as sterile as a parking lot can be the site of physical, social, and psychic forces in society that often reveal points of contention, mani... ...l interview. 23 Feb. 2003.Geertz, Clifford. Deep Play Notes on a Balinese Cockfight. The World Through machination The Advanced College Essay. Ed. Darlene A. Forrest, caress C. Hoy II and Randy Ma rtin. New York McGraw-Hill, 2002. 145-78.Goulish, Matthew. How Does a Work Work Where? The World Through nontextual matter The Advanced College Essay. Ed. Darlene A. Forrest, Pat C. Hoy II and Randy Martin. New York McGraw-Hill, 2002. 184-87.Greenblatt, Stephen. Culture. The World Through artistic production The Advanced College Essay. Ed. Darlene A. Forrest, Pat C. Hoy II and Randy Martin. New York McGraw-Hill, 2002. 188-95.Sonia. person-to-person interview. 23 Feb. 2003.ThiongO, NgugiWa. Enactments of Power The Politics of Performance Space. The World Through Art The Advanced College Essay. Ed. Darlene A. Forrest, Pat C. Hoy II and Randy Martin. New York McGraw-Hill, 2002. 287-319.