Deeper Insight by Use of Point of View – Summary

Deeper Insight by Use of Point of View The majority of authors handling literary elements to build up their theme. However, the author of the short tale atomic number 5 Burning maps one fussy element to build up his induce story in a very(prenominal) eccentric format. William Faulkner practices various literary elements in the story, just the most critical one is hitch of receive. Faulkner uses suggest of calculate to develop characters, the theme, and the plot of the story.Faulkners use of point of witness helps the ref understand who the characters atomic number 18, how the characters develop, and aids in spirit the characters actions throughout the story. Faulkner uses a non articulationicipant fabricator as well as Sartys thoughts and views for point of view. This unique usage leads proofreaders to infer and interpret the characters. This point of view raises an interesting question. Does the cashier defend Abner throughout the story? The illustration of th e fire building characterization provides us with proof of the defense. that the element of fire spoke to some loggerheaded mainspring of his novices being, as the element of steel or of powder spoke to some other men, as the one weapon for the preservation of integrity, else breath were not cost the breathing, and hence to be regarded with respect and used with discretion. (Yunis 1). The narrator speaks of Abners use of fires as how he dealt with being in the lowest of low classes and his pinch of injustice. By the narrator focusing on the barn flip ones lidings in this way, it makes the reader expression sympathy for Sarty and the rest of his family without ever having to state it.Not only does it provide the reader with sympathy for the family, but also a better understanding of Abner. If the narrator did not inform us of the l consumeess of life Abner lived then(prenominal) the beating of his children, his unlawfulness, his disrespect, and his barn burning would just i mply that he was evil. Abner was so a very evil man, but the defense of Abner by the narrator gives the reader a better understanding of Abners characteristics and actions. When the point of views shifts into Sartys thoughts, Sarty does not necessarily defend his beats actions, knowing they are wrong, but instead tries to understand them.From the beginning of the story, when Sarty is asked to testify in the chance involving his father and Mr. Harris, Sarty is conflicted. He knows he should be honest and tell the truth, but he knows homage is vital to his father. In the end, he chooses to follow his fathers commands. However, as Sarty matures he chooses to value honesty over obedience which ends up costing his fathers life. Themes of Barn Burning greatly submerge from Faulkners use of point of view.One theme in particular is the theme of Sartys search for placidity. Relating back to the courtroom case, Sarty is loyal to his father. His loyalty to his father brings only violence within his family and conflict within himself. Sarty finds no escape from the vicious environment he is surrounded in until they take at Major de Spains house. At this point the point of view shifts in and out between Sartys thoughts and the narrator. Hits heavy(a) as a courthouse he thought quietly with a peck of peace and joyThey are safe from him.People whose lives are a part of this peace and dignity are beyond his touchthe spell of this peace and dignity rendering even the barns and stable and cribs which belong to it impervious to the shrimpy flames he might contriveMaybe he willing feel it too. Maybe it will even change him now from what maybe he couldnt help but be. (Faulkner 159). Sarty believes at this point he will find peace at last, he has escaped violence, and that his father will change. He believes his father will see that the house is too glorious to destroy. However, the size of the house does not faze his father.Only a few moments subsequently Abner purpose ly steps in horse manure, walks into the house, and soils an expensive rug. Faulkners use of point of view is critical to the development of the plot of the story. By move into Sartys mind the reader understands how he is developing. The narrator aids in the plot build-up by describing the events occurring in the story. The reader learns at the beginning of the story (scene of courtroom) that Sarty is already conflicted between family loyalty and his admit morals. At this point the reader understands that Sarty will eventually have to choose between family loyalty and his own morals.All of this sets up the plot of the story due to the fact that the climax of the story is Sartys final decision of this confliction. He struggles with this confliction throughout the story which first establishes itself at the beginning in the courtroom. Sartys decision to tell Major de Spain of his fathers plan to burn his barn exposes his ultimate choice of his own morals over family loyalty. Major d e Spain shoots and kills his father because of Sartys warning that Abner was going to burn his barn. It is only after Abners death when Sarty finds something related to, but not quite peace.Although there will be no more fires, lies, beatings, and violence, his father is no more as well. The use of point of view is polar to William Faulkners short story Barn Burning. Point of view helps the reader to learn who the characters are and the reasons behind their actions, provides a better acuteness to the themes of the story, and supports plot development. Without the unique use of point of view it would be very difficult to understand the story because the narrator can do for Sarty what the young Sarty cannot he understands Abners anti-social behavior, his anger an tell the truth about Abners fires (Yunis 6). The use of point of view in this intricate form provides deeper insight to the story as a whole.Works Cited Faulkner, William. Barn Burning. Literature An Introduction to Ficti on, Poetry, Drama, and Writing. Ed. X. J. Kennedy and Dana Gioia. 11th ed. New York Longman, 2010. 155-67. Print. Yunis, Susan S. The fibber of Faulkners Barn Burning. The Faulkner Journal 6. 2 (Spring 1991) 23-31. Literary Resource Center. Web. 3 Oct. 2012.